LEADER 00000cam  2200397 i 4500 
001    sky297835798 
003    SKY 
005    20201020071251.9 
008    170616t20192018enk      b    001 p eng d 
010    2018493546 
015    GBB827331|2bnb 
020    9780141984568 
020    0141984562 
040    |erda|dUtOrBLW|dSKYRV 
092    811.54|bPEN 
245 04 The Penguin book of the prose poem :|bfrom Baudelaire to 
       Anne Carson /|cedited and introduced by Jeremy Noel-Tod. 
250    Paperback edition. 
264  1 London :|bPenguin Books,|c2019. 
264  4 |c©2018 
300    xliv, 432 pages ;|c20 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 0  Penguin classics 
504    Includes bibliographical references and index. 
505 00 |tThe expansion of the prose poem /|rJeremy Noel-Tod --
       |tThe end of days /|rGolan Haji --|tMerry Christmas from 
       Hegel /|rAnne Carson --|tGoing nowhere, getting somewhere 
       /|rVahni Capildeo --|tChildren are the orgasm of the world
       /|rHera Lindsay Bird --|tAntico Adagio /|rPeter Gizzi --
       |tKnife /|rRod Mengham --|tA woman shopping /|rAnne Boyer 
       --|tNotes towards a race riot scene /|rBhanu Kapil --
       |t"There were barnacles..." /|rSarah Howe --|tfrom Letter 
       against the firmament /|rSean Bonney --|tfrom Citizen: an 
       American lyric /|rClaudia Rankine --|tMy funeral /|rPeter 
       Manson --|tFlower, quarter, mask /|rJohn Fuller --
       |tReclaiming a beloved city /|rClifton Gachague --
       |tImagined sons 9 : Greek salad /|rCarrie Etter --|tPlace 
       name : flog man /|rKei Miller --|tRape joke /|rPatricia 
       Lockwood --|tfrom Fairies /|rMei-mei Berssenbrugge --
       |tfrom Mystériuses /|rÉric Suchère --|tSome fears /|rEmily
       Berry --|tfrom Odes to TL61P /|rKeston Sutherland --|tThe 
       mysterious arrival of an unusual letter /|rMark Strand --
       |tChicken /|rCathy Wagner --|tBirthweights /|rChris McCabe
       --|tOther things /|rAlvin Pang --|tfrom Adventures in 
       Shangdu /|rCathy Park Hong --|tCry break /|rPaige Ackerson
       -Kiely --|tShort prayer to sound /|rVivek Narayana --
       |tHomeless heart /|rJohn Ashbery --|tBlack sunlight /
       |rD.S. Marriott --|tNightmare pink /|rElena Penga --
       |tConversations about home (at the deportation centre) /
       |rWarsan Shire --|tO elegant giant /|rLaura Kasischke --
       |tVia negativa /|rJane Monson --|tThe experience /|rSimon 
       Armitage --|tFolkways /|rAnthony Joseph --|tfrom Virtual 
       airport /|rMatthew Welton --|tPhotographs, undeveloped /
       |rÁgnes Lehóczky --|tfrom Folklore /|rTim Atkins --|tEdith
       /|rSophie Robinson --|tThe wren /|rJen Hadfield --|tfrom 
       Bird bird /|rJeff Hilson --|tThe hornsman /|rBill 
       Griffiths --|tfrom The idylls /|rMaurice Riordan --|tBlue 
       dog /|rLuke Kennard --|tIf /|rSina Queyras --|tFiddleheads
       /|rSeamus Heaney -- 
505 00 |tCaptain of the lighthouse /|rTogara Muzanenhamo --|tfrom
       Angle of yaw /|rBen Lerner --|tThe phases of the moon in 
       London /|rAmjad Nasser --|tCorruption /|rSrikanth Reddy --
       |tfrom echolocatin /|rMani Rao --|tfrom Chapter E /
       |rChristian Bök --|tDenigration /|rHarryette Mullen --|tA 
       hardworking peasant from the idyllic countryside /|rLinh 
       Dinh --|tTed's head /|rRod Smith --|tHosea: a commentary /
       |rCharles Boyle --|tThe skull ring /|rChelsey Minnis --
       |tfrom The weather /|rLisa Robertson --|tOde /|rLisa 
       Jarnot --|tfrom Letters to Wendy's /|rJoe Wenderoth --
       |tThe most sensual room /|rMasayo Koike --|tThe cough /
       |rBarbara Guest --|tCinema-going /|rIan Hamilton Finlay --
       |tfrom Joan of Arc /|rNathalie Quintane --|tNeglected 
       knives /|rKritín Ómarsdóttir --|tLittle corona /|rDon 
       Paterson --|tSeoul's dinner /|rKim Hyesoon --|tChristopher
       Robin /|rCzesław Miłosz --|tReturns to harmony 3 /|rAgha 
       Shahid Ali --|tThought (I) /|rEsther Jansma --|tThe poet /
       |rEileen Myles --|tProse poem /|rRon Padgett --|tfrom 
       Kuchh Vakya /|rUdayan Vajpeyi --|tfrom Lawn of excluded 
       middle /|rRosmarie Waldrop --|tThe word-gulag /
       |rAbdellatif Laâbi --|tDustie-fute /|rDavid Kinloch --
       |tdropped on the ground · the small coin /|rZhou Yaping -
       -|tfrom Short talks /|rAnne Carson --|tIn love with 
       Raymond Chandler /|rMargaret Atwood --|tLetters /|rClark 
       Coolidge --|tWhat no one could have told them /|rC.D. 
       Wright --|tAn anointing /|rThylias Moss --|tMan with a 
       mower /|rJenny Bornholdt --|tDeer dancer /|rJoy Harjo --
       |tfrom The stumbling block its index /|rBrian Catling --
       |tChekhov: a sestina /|rMark Strand --|tInflation /|rCarol
       Rumens --|tQuaker oats /|rRita Dove --|tfrom The world 
       doesn't end /|rCharles Simic --|tHuman wishes /|rRobert 
       Hass --|tBurnt hair /|rMeena Alexander --|tThe Hanoi 
       market /|rYusef Komunyakaa --|treading /|rjoanne burns -- 
505 00 |tThe first week of mourning /|rShang Qin --|tThe dogs /
       |rYves Bonnefoy --|tfrom My life /|rLyn Hejinian --|tThe 
       souvenir /|rDan Pagis --|tA walk through the museum /
       |rÁnges Nemes Nagy --|tHearts /|rLaurie Duggan --|tThe 
       land of counterpane /|rLee Harwwod --|tfrom C /|rPeter 
       Reading --|tMany musicians practice their mysteries while 
       I am cooking /|rBink Noll --|tOr else /|rChristopher 
       Middleton --|tabglanz /|rreflected gleam /|rWulf Kirsten -
       -|tHoney /|rJames Wright --|tA vernacular tale /|rPeter 
       Didsbury --|tThe colonel /|rCarolyn Forché --|tMeeting 
       Ezra Pound /|rMiroslav Holub --|tGoodtime Jesus /|rJames 
       Tate --|tVanity, Wisconsin /|rMaxine Chernoff --|tGay full
       story /|rBernadette Mayer --|tfrom Logbook /|rTom Raworth 
       --|tThe colors of night /|rN. Scott Momaday --|tPortrait 
       of A.E. (an artful fairy tale) /|rElke Erb --|tChile /
       |rOttó Orbán --|tScissors /|rShuntarö Tanikawa --|tA 
       caterpillar /|rRobert Bly --|tCloistered /|rSeamus Heaney 
       --|tApe /|rRussel Edson --|tfrom The wild rose /|rKen 
       Smith --|tChimes of silence /|rWole Soyinka --|tfrom 
       Mercian hymns /|rGeoffrey Hill --|tfrom Shooting script /
       |rAdrienne Rich --|tThe bookcase /|rTomas Tranströmer --
       |tFor John Clare /|rJohn Ashberty --|tMilk /|rJames 
       Schuyler --|tfrom it /|rInger Christensen --|tA case /
       |rGael Turnbull --|tAn old-fashioned traveller on the 
       trade routes /|rRosemary Tonks --|tStrayed crab /
       |rElizabeth Bishop --|tThe flag /|rPablo Neruda --
       |tVocabulary /|rWisława Szymborska --|tCatherine of Siena 
       /|rElizabeth Jennings --|tfrom City /|rRoy Fisher --
       |tBorges and I /|rJorge Luis Borges --|tfrom Letters to 
       James Alexander /|rJack Spicer --|tHermes, dog and star /
       |rZbigniew Herbert --|tWhere the tennis court was ... /
       |rEugenio Montale --|tA supermarket in California /|rAlan 
       Ginsberg --|tClock /|rPierre Reverdy --|tMeditations in an
       emergency /|rFrank O'Hara --|tLove letter to King 
       Tutankhamun /|rDulce María Loynaz -- 
505 00 |tThe clerk's vision /|rOctavio Paz --|tAround the star's 
       throne /|rHans Arp --|tThe god of war /|rBertolt Brecht --
       |tThe swift /|rRené Char --|tPhrase /|rAimé Césaire --
       |tStreet cries /|rLuis Cernuda --|tRain /|rFrancis Ponge -
       -|tThe pleasures of the door /|rFrancis Ponge --|tCrate /
       |rFrancis Ponge --|tfrom Vigils /|rJohn Lehmann --
       |tNijinksi /|rGeorge Seferis --|tThe right meaning /
       |rCésar Vallejo --|tBlue notebook, no. 10 /|rDaniil Kharms
       --|tBourgeois news /|rCharles Madge --|tLozanne /|rDavid 
       Gasgoyne --|tIn praise of glass /|rGabriela Mistral --
       |tfrom The orators /|rW.H. Auden --|tMy occupations /
       |rHenri Michaux --|tForce of habit /|rAndré Breton and 
       Paul Eluard --|tSunflowers are already black gunpowder /
       |rAnzai Fuye --|tThe dog's retort /|rLu Xun --|tSnow /|rLu
       Xun --|tSon /|rSaint-John Perse --|tHell is graduated /
       |rMax Jacob --|tA day /|rRabindranath Tagore --|tfrom Kora
       in hell: improvisations /|rWilliam Carlos Williams --
       |tTired /|rFenton Johnson --|tPulmonary tuberculosis /
       |rKatherine Mansfield --|tHysteria /|rT.S. Eliot --
       |tSpring day /|rAmy Lowell --|tThe moon /|rJuan Ramón 
       Jiménez --|tLondon notes /|rJessie Dismoor --|tStreet 
       circus /|rPierre Reverdy --|tfrom Tender buttons /
       |rGertrude Stein --|tWinter night /|rGeorg Trakl --|tfrom 
       Scented leaves- from a Chinese jar /|rAllen Upward --
       |tPainting /|rPaul Claudel --|tAbsinthia taetra /|rErnest 
       Dowson --|tThe pipe /|rStéphane Mallarmé --|tThe disciple 
       /|rOscar Wilde --|tThe master /|rOscar Wilde --|tfrom By 
       the waters of Babylon /|rEmma Lazarus --|tAfter the flood 
       /|rArthur Rimbaud --|tSideshow /|rArthur Rimbaud --|tGenie
       /|rArthur Rimbaud --|tThe end of the world /|rIvan 
       Turgenev --|tOn the sea /|rIvan Turgenev --|tThe stranger 
       /|rCharles Beaudelaire --|tWindows /|rCharles Beaudelaire 
       --|tThe bad glazier /|rCharles Beaudelaire --|tThe madman 
       /|rAloysius Bertrand --|tThe mason /|rAloysius Bertrand --
       |tHaarlem /|rAloysius Bertrand. 
520    The last decades have seen an explosion of the prose poem.
       More and more writers are turning to this peculiarly rich 
       and flexible form; it defines Claudia Rankine's Citizen, 
       one of the most talked-about books of recent years, and 
       many others, such as Sarah Howe's Loop of Jade and Vahni 
       Capildeo's Measures of Expatriation, make extensive use of
       it. Yet this fertile mode which in its time has drawn the 
       likes of Charles Baudelaire, Oscar Wilde, T. S. Eliot, 
       Gertrude Stein and Seamus Heaney remains, for many 
       contemporary readers, something of a mystery. The history 
       of the prose poem is a long and fascinating one. Here, 
       Jeremy Noel-Tod reconstructs it for us by selecting the 
       essential pieces of writing by turns luminous, brooding, 
       lamentatory and comic which have defined and developed the
       form at each stage, from its beginnings in 19th-century 
       France, through the 20th-century traditions of Britain and
       America and beyond the English language, to the great 
       wealth of material written internationally since 2000. 
       Comprehensively told, it yields one of the most original 
       and genre-changing anthologies to be published for some 
       years, and offers readers the chance to discover a diverse
       range of new poets and new kinds of poem, while also 
       meeting famous names in an unfamiliar guise. 
650  0 Prose poems|xHistory and criticism. 
655  7 Prose poems.|2lcgft 
700 1  Noel-Tod, Jeremy.