LEADER 00000cam 2200385 i 4500 001 1007087985 003 OCoLC 008 171116t20182018txuag bk s000 0aeng c 010 2017055297 020 9781477316221|q(hardcover) 020 1477316221|q(hardcover) 040 ICU/DLC|beng|erda|cDLC|dIKM|dYDX|dOCLCO|dIXA|dOCLCQ|dNZAUC |dUtOrBLW 042 pcc 043 n-us-ny 082 00 781.66092|aB|223 092 781.66092|bSTA 100 1 Stamey, Chris,|eauthor. 245 12 A spy in the house of loud :|bNew York songs and stories / |cChris Stamey. 250 First edition. 264 1 Austin :|bUniversity of Texas Press,|c2018. 264 4 |c©2018 300 x, 277 pages :|billustrations, music ;|c23 cm. 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 490 1 American Music Series 504 Discography: pages 276-277. 504 Includes bibliographical references. 520 "Popular music was in a creative upheaval in the late 1970s. As the singer-songwriter and producer Chris Stamey remembers, the old guard had become bloated, cartoonish, and widely co-opted by a search for maximum corporate profits, and we wanted none of it. In A Spy in the House of Loud, he takes us back to the auteur explosion happening in New York clubs such as the Bowery's CBGB as Television, Talking Heads, R.E.M., and other innovative bands were rewriting the rules. Just twenty years old and newly arrived from North Carolina, Stamey immersed himself in the action, playing a year with Alex Chilton before forming the dB's and recording the albums Stands for deciBels and Repercussion, which still have an enthusiastic following. A Spy in the House of Loud vividly captures the energy that drove the music scene as arena rock gave way to punk and other new streams of electric music. Stamey tells engrossing backstories about creating in the recording studio, describing both the inspiration and the harmonic decisions behind many of his compositions, as well as providing insights into other people's music and the process of songwriting. Photos, mixer-channel and track assignment notes, and other inside-the-studio materials illustrate the stories. Revealing another side of the CBGB era, which has been stereotyped as punk rock, safety pins, and provocation, A Spy in the House of Loud portrays a southern artist's coming-of-age in New York's frontier abandon as he searches for new ways to break the rules and make some noise."--Provided by publisher. 600 10 Stamey, Chris. 610 20 DB's (Musical group) 650 0 Rock musicians|zNew York (State)|zNew York|vBiography. 830 0 American music series (Austin, Tex.)
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