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003    MWT 
005    20191125070615.0 
006    m     o  h         
007    sz zunnnnnuned 
007    cr nnannnuuuua 
008    181207s2018    xxunnn es      i  n eng d 
020    9781977311085 (sound recording : hoopla Audio Book) 
020    1977311083 (sound recording : hoopla Audio Book) 
029    https://d2snwnmzyr8jue.cloudfront.net/
       ttm_9781977311085_180.jpeg 
028 42 MWT12268302 
037    12268302|bMidwest Tape, LLC|nhttp://www.midwesttapes.com 
040    Midwest|erda 
082 00 302.23/440973|223 
099    eAudiobook hoopla 
099    eAudiobook hoopla 
100 1  VanCour, Shawn,|eauthor. 
245 10 Making radio :|bearly radio production and the rise of 
       modern sound culture|h[Hoopla electronic resource] /
       |cShawn VanCour. 
250    Unabridged. 
264  1 [United States] :|bTantor Audio,|c2018. 
264  2 |bMade available through hoopla 
300    1 online resource (1 audio file (8hr., 23 min.)) :
       |bdigital. 
336    spoken word|bspw|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
344    digital|hdigital recording|2rda 
347    data file|2rda 
506    Digital content provided by hoopla. 
511 1  Read by Timothy Andrés Pabon. 
520    The opening decades of the twentieth century witnessed a 
       profound transformation in the history of modern sound 
       media, with workers in U.S. film, radio, and record 
       industries developing pioneering production methods and 
       performance styles tailored to emerging technologies of 
       electric sound reproduction that would redefine dominant 
       forms and experiences of popular audio entertainment. 
       Focusing on broadcasting's initial expansion during the 
       1920s, Making Radio explores the forms of creative labor 
       pursued for the medium in the period prior to the better-
       known network era, assessing their role in shaping radio's
       identity and identifying affinities with parallel 
       practices pursued for conversion-era film and phonography.
       Tracing programming forms adopted by early radio writers 
       and programmers, production techniques developed by studio
       engineers, and performance styles cultivated by on-air 
       talent, it shows how radio workers negotiated a series of 
       broader industrial and cultural pressures to establish 
       best practices for their medium that reshaped popular 
       forms of music, drama, and public oratory and laid the 
       foundation for a new era of electric sound entertainment. 
538    Mode of access: World Wide Web. 
650  0 Radio broadcasting|zUnited States|xHistory|y20th century. 
650  0 Radio broadcasting|xAesthetics. 
650  0 Radio broadcasting|xSocial aspects|zUnited States|xHistory
       |y20th century. 
650  0 Mass media|xTechnological innovations|zUnited States
       |xHistory|y20th century. 
650  0 Popular culture|zUnited States|xHistory|y20th century. 
700 1  Pabon, Timothy Andrés. 
710 2  hoopla digital. 
856 40 |uhttps://www.hoopladigital.com/title/
       12268302?utm_source=MARC|zInstantly available on hoopla. 
856 42 |zCover image|uhttps://d2snwnmzyr8jue.cloudfront.net/
       ttm_9781977311085_180.jpeg