Library Hours
Monday to Friday: 9 a.m. to 9 p.m.
Saturday: 9 a.m. to 5 p.m.
Sunday: 1 p.m. to 9 p.m.
Naper Blvd. 1 p.m. to 5 p.m.

LEADER 00000nam a22004935a 4500 
003    MWT 
005    20200917053724.1 
006    m     o  d         
007    cr cn||||||||| 
008    200904s2013    xxua   es     000 0 eng d 
020    9781606995525 (electronic bk.) 
020    1606995529 (electronic bk.) 
029    https://d2snwnmzyr8jue.cloudfront.net/
       fan_9781606995525_180.jpeg 
028 42 MWT13564588 
037    13564588|bMidwest Tape, LLC|nhttp://www.midwesttapes.com 
040    Midwest|erda 
082 04 741.5973|223 
099    eComic hoopla 
099    eComic hoopla 
100 1  Bell, Blake. 
245 14 The secret history of Marvel Comics :|bJack Kirby and the 
       moonlighting artists at Martin Goodman's empire|h[Hoopla 
       electronic resource]. 
264  1 [United States] :|bFantagraphics Books,|c2013. 
264  2 |bMade available through hoopla 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rda 
506    Digital content provided by hoopla. 
520    The Secret History of Marvel Comics digs back to the 1930s
       when Marvel Comics wasn't just a comic-book producing 
       company. Marvel Comics owner Martin Goodman had tentacles 
       into a publishing world that might have made that era's 
       conservative American parents lynch him on his front 
       porch. Marvel was but a small part of Goodman's publishing
       empire, which had begun years before he published his 
       first comic book. Goodman mostly published lurid and 
       sensationalistic story books (known as "pulps") and 
       magazines, featuring sexually-charged detective and 
       romance short fiction, and celebrity gossip scandal 
       sheets. And artists like Jack Kirby, who was producing 
       Captain America for eight-year-olds, were simultaneously 
       dipping their toes in both ponds. The Secret History of 
       Marvel Comics tells this parallel story of 1930s/40s 
       Marvel Comics sharing offices with those Goodman 
       publications not quite fit for children. The book also 
       features a comprehensive display of the artwork produced 
       for Goodman's other enterprises by Marvel Comics artists 
       such as Jack Kirby and Joe Simon, Alex Schomburg, Bill 
       Everett, Al Jaffee, and Dan DeCarlo, plus the very best 
       pulp artists in the field, including Norman Saunders, John
       Walter Scott, Hans Wesso, L.F. Bjorklund, and Marvel 
       Comics #1 cover artist Frank R. Paul. Goodman's magazines 
       also featured cover stories on celebrities such as Jackie 
       Gleason, Elizabeth Taylor, Liberace, and Sophia Loren, as 
       well as contributions from famous literary and social 
       figures such as Isaac Asimov, Theodore Sturgeon, and L. 
       Ron Hubbard. 
521 8  Rated M 
538    Mode of access: World Wide Web. 
600 10 Kirby, Jack. 
610 20 Marvel Comics Group|xHistory. 
650  0 Comic books, strips, etc|xPublishing|zUnited States
       |xHistory|y20th century. 
650  0 Cartoonists|zUnited States|vBiography. 
650  0 Superheroes|zUnited States|xHistory|y20th century. 
655  0 Electronic books. 
655  7 Graphic novels.|2lcgft 
655  7 Comic books, strips, etc.|2gsafd 
700 1  Vassallo, Michael J.,|eauthor. 
710 2  hoopla digital. 
856 40 |uhttps://www.hoopladigital.com/title/
       13564588?utm_source=MARC|zInstantly available on hoopla. 
856 42 |zCover image|uhttps://d2snwnmzyr8jue.cloudfront.net/
       fan_9781606995525_180.jpeg