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008    220516s2022    xxunnn es      i  n eng d 
020    9781469672175 (sound recording : hoopla Audio Book) 
020    1469672170 (sound recording : hoopla Audio Book) 
029    https://d2snwnmzyr8jue.cloudfront.net/
       csp_9781469672175_180.jpeg 
028 42 MWT15056943 
037    15056943|bMidwest Tape, LLC|nhttp://www.midwesttapes.com 
040    Midwest|erda 
082 00 782.4216490975|223 
099    eAudiobook hoopla 
099    eAudiobook hoopla 
100 1  Bradley, Regina N.,|d1984-|eauthor. 
245 10 Chronicling Stankonia :|bthe rise of the hip-hop South
       |h[Hoopla electronic resource] /|cRegina N. Bradley. 
250    Unabridged. 
264  1 [United States] :|bThe University of North Carolina Press,
       |c2022. 
264  2 |bMade available through hoopla 
300    1 online resource (1 audio file (4hr., 21 min.)) :
       |bdigital. 
336    spoken word|bspw|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
344    digital|hdigital recording|2rda 
347    data file|2rda 
506    Digital content provided by hoopla. 
511 1  Read by Regina N. Bradley. 
520    This vibrant book pulses with the beats of a new American 
       South, probing the ways music, literature, and film have 
       remixed southern identities for a post-civil rights 
       generation. For scholar and critic Regina N. Bradley, 
       Outkast's work is the touchstone, a blend of funk, gospel,
       and hip-hop developed in conjunction with the work of 
       other culture creators-including T.I., Kiese Laymon, and 
       Jesmyn Ward. This work, Bradley argues, helps define new 
       cultural possibilities for black southerners who came of 
       age in the 1980s and 1990s and have used hip-hop culture 
       to buffer themselves from the historical narratives and 
       expectations of the civil rights era. André 3000, Big Boi,
       and a wider community of creators emerge as founding 
       theoreticians of the hip-hop South, framing a larger 
       question of how the region fits into not only hip-hop 
       culture but also contemporary American society as a whole.
       Chronicling Stankonia reflects the ways that culture, race,
       and southernness intersect in the late twentieth and early
       twenty-first centuries. Although part of southern hip-hop 
       culture remains attached to the past, Bradley demonstrates
       how younger southerners use the music to embrace the 
       possibility of multiple Souths, multiple narratives, and 
       multiple points of entry to contemporary southern black 
       identity. 
538    Mode of access: World Wide Web. 
610 20 OutKast (Musical group) 
650  0 Rap (Music)|xSocial aspects|zSouthern States. 
650  0 Rap (Music)|zSouthern States|xHistory and criticism. 
650  0 Hip-hop|zSouthern States. 
650  0 African Americans|xRace identity|zSouthern States. 
700 1  Bradley, Regina N.. 
710 2  hoopla digital. 
856 40 |uhttps://www.hoopladigital.com/title/
       15055048?utm_source=MARC|zInstantly available on hoopla. 
856 42 |zCover image|uhttps://d2snwnmzyr8jue.cloudfront.net/
       csp_9781469672175_180.jpeg