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Motion pictures
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-- See Also the narrower term 3-D films
When subdivided by the appropriate geographic, topical and/or form subdivisions, this heading is used for works about 3-D films.
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Here are entered works on the portrayal of African Americans in motion pictures. Works on all aspects of African American involvement in motion pictures are entered under African Americans in the motion picture industry. Works on specific aspects of African American involvement are entered under the particular subject, e.g. African American motion picture actors and actresses.
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-- See Also the narrower term Animal films
When subdivided by the appropriate geographic, topical and/or form subdivisions, this heading is used for works about animal films.
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Here are entered works on the depiction of animals in motion pictures. Works on the animals that perform in motion pictures are entered under Animals as actors.
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-- See Also the narrower term Animated films
Here are entered works on films that create the illusion of movement in drawings, clay, inanimate objects, or the like, through an animation technique. Works on the technical aspects of making animated films, television programs, or videos are entered under Animation (Cinematography).
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-- See Also the narrower term Animated films
This heading is used as a genre/form heading for films that create the illusion of movement in drawings, clay, inanimate objects, or the like, through an animation technique.
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-- See Also the narrower term Animated films
Here are entered works on films that create the illusion of movement in drawings, clay, inanimate objects, or the like, through an animation technique. Works on the technical aspects of making animated films, television programs, or videos are entered under Animation (Cinematography).
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This heading is used as a genre/form heading for feature-length films made up of different episodes or stories which are usually connected by a theme, event, location or original author, often having a wrap-around tale. Films that are composed of pre-existing published or unpublished films, or portions thereof, are entered under Compilation films.
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This heading is used as a genre/form heading for feature-length films made up of different episodes or stories which are usually connected by a theme, event, location or original author, often having a wrap-around tale. Films that are composed of pre-existing published or unpublished films, or portions thereof, are entered under Compilation films.
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Here are entered works on feature-length films made up of different episodes or stories which are usually connected by a theme, event, location or original author, often having a wrap-around tale.
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Here are entered works on apocalyptic themes in motion pictures that are not themselves apocalyptic films. Works on films set in a world or civilization after a catastrophic event (e.g., nuclear war, an alien invasion), sometimes also including the period immediately preceding the event, are entered under Apocalyptic films.
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Here are entered works on films set in a world or civilization after a catastrophic event (e.g., nuclear war, an alien invasion), sometimes also including the period immediately preceding the event. Works on apocalyptic themes in motion pictures that are not themselves apocalyptic films are entered under Apocalypse in motion pictures. Works on films set in an uncertain future, in a society ruled by an ineffectual, corrupt, or oppressive regime or by aliens, robots, etc., are entered under Dystopian films.
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Here are entered works dealing with motion pictures on art subjects, both instructional and documentary.
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Here are entered works on the portrayal of Asian Americans in motion pictures. Works on all aspects of Asian American involvement in motion pictures are entered under Asian Americans in the motion picture industry. Works on specific aspects of Asian American involvement are entered under the particular subject, e.g. Asian American motion picture producers and directors.
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Here are entered works on the theory that the director is the primary creator of a motion picture.
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Here are entered works on films that depict lives of real people.
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This heading is used as a genre/form heading for fiction or nonfiction films that depict lives of real people.
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Here are entered works on the portrayal of Black people in motion pictures. Works on all aspects of Black people's involvement in motion pictures are entered under Black people in the motion picture industry. Works on specific aspects of Black people's involvement are entered under the particular subject, e.g., Actors, Black.
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Here are entered works on films that sustain extremely high attendance and enormous gross sales at the box office.This heading is not used for individual blockbusters. Individual blockbusters are entered under headings appropriate to the content, genre, and/or form of the film.
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Here are entered works on the depiction of Buddhism in motion pictures. General works on the relationship between motion pictures and Buddhism, as well as works on motion pictures from a Buddhist viewpoint, are entered under Motion pictures--Religious aspects--Buddhism.
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-- See Also the narrower term Caper films
This heading is used as a genre/form heading for films that feature the execution of a particularly difficult undertaking, often questionable or illegal, the success of which depends on skill and careful planning.
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-- See Also the narrower term Caper films
Here are entered works on films that feature the execution of a particularly difficult undertaking, often questionable or illegal, the success of which depends on skill and careful planning.
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When subdivided by the appropriate geographic, topical and/or form subdivisions, this heading is used for works about car-chase films.
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--headings for individual characteristics and classes of persons in motion pictures; headings for films based on the name of the central character or characters; and headings for individual motion picture characters, e.g. Cruelty in motion pictures; Heroes in motion pictures; Charlie Chan films; Bowery Boys films; Godzilla (Fictitious character)
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Here are entered works on films produced especially for children.
--subdivision Juvenile films under subjects for nonfiction films produced especially for children; and subdivision Juvenile drama under subjects for fiction films produced especially for children
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This heading is used as a genre/form heading for films produced especially for children.
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