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020 0240812395
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049 INap
082 04 777/.7
082 04 777/.7|223
099 eBook O’Reilly for Public Libraries
100 1 Hayes, Derek.
245 10 Acting and performance for animation /|cDerek Hayes, Chris
Webster.|h[O'Reilly electronic resource]
260 Burlington, MA :|bFocal Press,|c2013.
300 1 online resource (xx, 197 pages) :|billustrations (some
color)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
505 0 1. Aspects of Acting for Animation -- 2. Types of
Performance -- 3. Format, Genre, and Audience -- 4.
Character and Personality -- 5. Principles of Performance
-- 6. Making a Performance -- 7. Scene Composition -- 8.
Working with Actors.
505 00 |tIntroduction --|tAnimation Principles --|tBecoming an
Animator --|tBecoming an Actor --|tBecoming a Storyteller
--|tBecoming a Creative Practitioner --|g1.|tAspects of
Acting for Animation --|tCreative Approaches to Animation
--|tSimulation --|tRepresentation --|tInterpretation --
|tStory, Story, Story --|tWorking with an Existing Script
--|tWriting Your Own Script --|tCinematography and Editing
--|tMise-en-Scene --|tMontage --|tEnvironment and Screen
Space --|tThe Setting --|tScreen Format --|tSound --
|tCharacter --|tSummary --|g2.|tTypes of Performance --
|tStanislavski's System --|tStudy --|tEmotional Memory --
|tAnalyzing the Script and the "Magic If" --|tMotivation -
-|tObjectives --|tObstacles --|tTools or Methods --
|tActions --|tMethod Acting --|tNaturalism and Reality --
|tEpic Theatre --|tComedy --|tSummary --|g3.|tFormat,
Genre, and Audience --|tAudiences --|tKnow Your Audience -
-|tTarget Your Audience --|tGenre --|tComedy --|tDrama --
|tDocumentary --|tFormat --|tFeatures --|tShort Form --
|tTelevision --|tTV Series --|tInternet --|tHand-Held
Devices --|tCorporate Video --|tGames --|tCommercials --
|tSummary --|g4.|tCharacter and Personality --|tCharacter
Development --|tFormats --|tViewing Environment --|tBudget
--|tAnimator as Actor --|tKnow Your Characters --
|tPhysicality of Characters --|tCharacter Design --|tThe
Animation Bible --|tCharacter Types --|tCharacter and
Personality --|tRelationships --|tDynamics of Character
Interaction-Every Hero Needs a Villain --|tSummary --|g5.
|tPrinciples of Performance --|tEmpathy and Engagement --
|tWhy Empathy is Important --|tIdentification and Lack of
Empathy --|tEngaging the Audience --|tEmpathy for the
Villain --|tMotivation --|tWants and Needs --|tWhat Are
You Trying to Say? --|tProps --|tSummary --|g6.|tMaking a
Performance --|tBody Language --|tCharacter Interaction --
|tEffort --|tSilence --|tReflex and Other Physical
Reactions --|tComedy Performance --|tSummary --|g7.|tScene
Composition --|tPlanning a Scene --|tStoryboards --
|tThumbnail or Rough Storyboards --|tPresentation
Storyboards --|tWorking Storyboards --|tThe Animatic --
|tTiming --|tPacing --|tPhrasing --|tAnimation Timing --
|tPreparing the Shot-Layouts --|tOverlays --|tUnderlays --
|tField Guides --|tCharacter Layouts --|tBar Charts and
Dope Sheets --|tBlocking Out Animation and Action --
|tScene Dynamics and Screen Space --|tRehearsing Action
for Performance --|tSummary --|g8.|tWorking with Actors --
|tThe Voices --|tCasting --|tCartoony or Non-Cartoony
Voices? --|tThe Rehearsal --|tThe Recording --|tBe Open to
Change --|tHow to Talk to Actors --|tVerbs --|tLine
Readings --|tFeedback --|tA Few Extra Thoughts --|tLive
Action and Animation --|tMotion Capture --|tSummary.
520 "Character animation involves more than the principles of
animation and the mechanics of motion. Unique, believeable
characters that think, feel and captivate your audience
are ones that involve emotion, performance, personality,
acting and story. Successful animators balance all of
these elements within a single character and narrative.
With Acting and Performance for Animation, discover how to
create dynamic, dramatic performances and believeable
character interaction. An invaluable resource for
animators, Acting and Performance for Animators is a
practical guide to the variety of performance techniques
relevant to animators. Develop believable character
interactions with chapters detailing the principles of
performance, performance types, character emotion and
personality, physical and psychological performance, and
scene composition. Analyze scripts, sound, acting, action
and performance with the practical hints and tips, hands-
on assignments and animated examples featured in an
extensive guide for animators working in film, TV, games
and commercials. Explore different performance techniques
based upon the experiences of seasoned animators with case
studies featuring John Lasseter, Ray Harryhausen, Nick
Park, Joanna Quinn. Expand your own performance techniques
with the accompanying DVD which will feature live action
reference shorts, production stills, animated examples,
and further hands-on assignments"--EBL.
588 0 Print version record.
590 O'Reilly|bO'Reilly Online Learning: Academic/Public
Library Edition
650 0 Animated films.
650 0 Motion picture acting.
650 0 Animation (Cinematography)
650 6 Art de l'acteur au cinéma.
650 6 Animation (Cinéma)
650 7 animations (visual works)|2aat
650 7 animation (process)|2aat
650 7 Animated films|2fast
650 7 Animation (Cinematography)|2fast
650 7 Motion picture acting|2fast
700 1 Webster, Chris,|d1954-
776 08 |iPrint version:|z0240812395|w(DLC) 2012043270
856 40 |uhttps://ezproxy.naperville-lib.org/login?url=https://
learning.oreilly.com/library/view/~/9780240812397/?ar
|zAvailable on O’Reilly for Public Libraries
938 Askews and Holts Library Services|bASKH|nAH25009761
938 Askews and Holts Library Services|bASKH|nAH24364862
938 Askews and Holts Library Services|bASKH|nAH25004834
938 ebrary|bEBRY|nebr10672696
938 ProQuest MyiLibrary Digital eBook Collection|bIDEB
|ncis25020877
938 Taylor & Francis|bTAFR|n9780080962177
938 YBP Library Services|bYANK|n10311501
938 YBP Library Services|bYANK|n3251664
994 92|bJFN