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LEADER 00000ngm a2200445 i 4500 
003    CaSfKAN 
005    20140522110432.0 
006    m     o  c         
007    vz uzazuu 
007    cr una---unuuu 
008    140717p20142012cau044        o   vleng d 
028 52 1113835|bKanopy 
035    (OCoLC)897772823 
040    UtOrBLW|beng|erda|cUtOrBLW 
043    e-it--- 
099    Streaming Video Kanopy 
245 00 Caesar must die.|h[Kanopy electronic resource] 
264  1 [San Francisco, California, USA] :|bKanopy Streaming,
       |c2014. 
300    1 online resource (1 video file, approximately 76 min.) :
       |bdigital, .flv file, sound 
336    two-dimensional moving image|btdi|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
344    digital 
347    video file|bMPEG-4|bFlash 
500    Title from title frames. 
518    Originally produced by Kino Lorber Edu in 2012. 
520    The theater in Rome's Rebibbia Prison. A performance of 
       Shakespeare's Julius Caesar has just ended amidst much 
       applause. The lights dim on the actors and they become 
       prisoners once again as they are accompanied back to their
       cells. Six months earlier, The warden and a theater 
       director speak to the inmates about a new project, the 
       staging of Julius Caesar in the prison. The first step is 
       casting, a process both vivid and energetic. The second 
       step is exploration of the text. Shakespeare's universal 
       language helps the inmate-actors to identify with their 
       characters. The path is long and full of anxiety, hope and
       play. These are the feelings accompanying the inmates at 
       night in their prison cells after each day of rehearsal. 
       Who is Giovanni who plays Caesar? Who is Salvatore-Brutus?
       For which crimes have they been sentenced to prison? The 
       film does not hide this. The wonder and pride for the play
       do not always free the inmates from the exasperation of 
       being incarcerated. Their angry confrontations put the 
       show in danger. On the anticipated but feared day of 
       opening night, the audience is numerous and diversified: 
       inmates, actors, students, directors. Julius Caesar is 
       brought back to life but this time on a stage inside a 
       prison. It's a success. The inmates return to their cells.
       Even Cassius,' one of the main characters, one of the 
       best.  He has been in prison for many years, but tonight 
       his cell feels different, hostile. He remains still. Then 
       he turns, looks into the camera and tells us: "Since I 
       have known art, this cell has turned into a prison." 
538    Mode of access: World Wide Web. 
600 10 Shakespeare, William,|d1564-1616.|tJulius Caesar|vDrama. 
610 20 Rebibbia (Prison : Rome, Italy)|vDrama. 
650  0 Inmates of institutions|zItaly|zRome|vDrama. 
655  7 Feature Films.|2lcgft 
700 1  Taviani, Paolo,|d1931-|eproducer. 
700 1  Taviani, Vittorio,|d1929-|eproducer. 
700 1  Rega, Cosimo,|eproducer. 
700 1  Striano, Salvatore,|eproducer. 
700 1  Arcuri, Giovanni,|eproducer. 
710 2  Kanopy (Firm) 
856 40 |uhttps://naperville.kanopy.com/node/113836|zAvailable on 
       Kanopy 
856 42 |zCover Image|uhttps://www.kanopy.com/node/113836/external
       -image