LEADER 00000ngm a2200373 i 4500 003 CaSfKAN 005 20130802105144.0 006 m o c 007 vz uzazuu 007 cr una---unuuu 008 140905p20142008cau028 o vleng d 028 52 1046575|bKanopy 035 (OCoLC)897765925 040 CaSfKAN|beng|cCaSfKAN|erda 043 e-uk-en|ae-uk--- 099 Streaming Video Kanopy 245 04 The eye.|pTony Hill.|h[Kanopy electronic resource] 264 1 [San Francisco, California, USA] :|bKanopy Streaming, |c2014. 300 1 online resource (1 video file, approximately 29 min.) : |bdigital, .flv file, sound 336 two-dimensional moving image|2rdacontent 337 computer|2rdamedia 337 video|2rdamedia 338 online resource|2rdacarrier 500 Title from title frames. 518 Originally produced by Illuminations Media in 2008. 520 Tony Hill's films present entirely new ways of looking at the world in which we live. His extraordinary sculptural films turn and transform, squeeze and stretch the landscape and constantly challenge how we see what's around us. They are films about perception, time and space but they are also films about the body and memory and being alive. Above all, they are constantly surprising and delightful and, often, funny. Many of the films have been created with specifically built camera rigs, and a selection of these is demonstrated in this richly illustrated interview with the artist. Among the works that Tony Hill discusses are Downside Up (1984) with its constantly orbiting viewpoint; Water Work (1987), which was shot on and just below the surface of a swimming pool; the sensual film Laws of Nature (1997); and the artist's idiosyncratic portrait of Darlington Hall Estate in Devon, Camera Obscura (2000). 538 Mode of access: World Wide Web. 600 10 Hill, Tony,|d1946- 650 0 Artists|zGreat Britain. 650 0 Filmmaker|zGreat Britain. 655 7 Documentary films.|2lcgft 710 2 Kanopy (Firm) 856 40 |uhttps://naperville.kanopy.com/node/46576|zAvailable on Kanopy 856 42 |zCover Image|uhttps://www.kanopy.com/node/46576/external- image