Library Hours
Monday to Friday: 9 a.m. to 9 p.m.
Saturday: 9 a.m. to 5 p.m.
Sunday: 1 p.m. to 9 p.m.
Naper Blvd. 1 p.m. to 5 p.m.

LEADER 00000cam a2200829 i 4500 
001    928136919 
003    OCoLC 
005    20240129213017.0 
006    m     o  d         
007    cr ||||||||||| 
008    151105s2016    enk     ob    001 0 eng   
010      2015042365 
019    958144857 
020    9781119212676|q(ePub) 
020    1119212677|q(ePub) 
020    9781119212669|q(Adobe PDF) 
020    1119212669|q(Adobe PDF) 
020    9781119212638 
020    1119212634 
020    1444336649 
020    9781444336641 
020    |q(hardback) 
029 1  AU@|b000056306873 
029 1  CHNEW|b000944886 
029 1  CHVBK|b48025124X 
029 1  DEBBG|bBV043970083 
029 1  DEBSZ|b485062976 
029 1  DEBSZ|b485806169 
029 1  GBVCP|b88275985X 
035    (OCoLC)928136919|z(OCoLC)958144857 
037    8C8D0434-ADF5-44C5-B23E-B787B38AFC74|bOverDrive, Inc.
       |nhttp://www.overdrive.com 
040    DLC|beng|erda|epn|cDLC|dN$T|dYDXCP|dEBLCP|dDG1|dTEFOD
       |dOCLCO|dOCLCF|dIDEBK|dUMI|dKSU|dSTF|dMZA|dDG1|dDEBBG|dIDB
       |dMERUC|dDEBSZ|dOCLCQ|dYDX|dUUM|dWRM|dCEF|dOCLCQ|dU3W
       |dOCLCQ|dUAB|dOCLCQ|dOCLCO|dOCLCQ|dOCLCO 
042    pcc 
049    INap 
082 00 701/.0309048 
082 00 701/.0309048|223 
099    eBook O'Reilly for Public Libraries 
100 1  Green, Charles,|d1953-|eauthor. 
245 10 Biennials, triennials, and Documenta :|bthe exhibitions 
       that created contemporary art /|cCharles Green and Anthony
       Gardner.|h[O'Reilly electronic resource] 
250    1. 
264  1 Chicester, West Sussex ;|aMalden, MA :|bJohn Wiley & Sons 
       Ltd.,|c2016. 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Frontispiece -- Title Page -- Copyright -- Preface -- 
       Introduction -- Why Biennials? -- Part 1. The Second Wave 
       -- Part 2. The Politics of Legitimacy -- Part 3. Hegemony 
       or a New Canon -- The Cultural Geography of Biennials -- 
       Notes -- Part 1: The Second Wave -- 1: 1972: The Rise of 
       the Star-Curator -- Introduction -- Preparation for a Walk
       -Through Event Structure -- "Therapy Has Changed and No 
       Longer Encourages Copious Art Production" -- "The Most 
       Important Exhibition of Recent Years" -- Conclusion -- 
       Notes -- 2: 1979: Cultural Translation, Cultural Exclusion,
       and the Second Wave -- Introduction: Biennials as Models 
       for Cultural Encounters -- Founding the Sydney Biennale --
       White Elephant or Red Herring? Selecting the 1979 Biennale
       of Sydney -- Import/Export: Sydney and São Paulo -- 
       Conclusion -- Notes -- 3: 1986: The South and the Edges of
       the Global -- Introduction: Origin Stories -- A Brief 
       History of Southern Biennials -- The Second Bienal de La 
       Habana -- Conclusion: The Stakes of Southern Histories -- 
       Notes -- Part 2: The Politics of Legitimacy -- 4: 1989: 
       Asian Biennialization -- Introduction -- Experimental 
       Versus Traditional Art: "Traditions/Tensions" -- 
       Conclusion -- Notes -- 5: 1997: Biennials, Migration, and 
       Itinerancy -- Introduction -- Manifesta and Critical 
       Regionalism -- Locality Fails: The 2nd Johannesburg 
       Biennale -- By Way of Conclusion: The Emergency Biennale 
       in Chechnya -- Notes -- Part 3: Hegemony or a New Canon --
       6: 2002: Cosmopolitanism -- Introduction -- The Five-Year 
       Subaltern Plan -- Black Box, White Cube -- Conclusion -- 
       Notes -- 7: 2003: Delegating Authority -- Introduction -- 
       Tirana: "Opening Up the Conversation" -- Escape -- 
       Curating by Delegation: The 50th Venice Biennale: The 
       Dictatorship of the Viewer -- "Counterbalance the 
       Decadence of the Ancient City." 
505 8  "Outmoded Structure of National Pavilions and Theme 
       Exhibitions" -- Conclusion -- Notes -- 8: 2014: Global Art
       Circuits -- Introduction -- The Game of Comparison and 
       Competition -- Negotiated Inequality -- Contemporary Play 
       Time -- Coda: 2014 -- Notes -- 9: Conclusion -- Notes -- 
       Index -- EULA. 
520    "Provides a comprehensive global history of 
       biennialization from the rise of the European star-curator
       in the 1970s and the emergence of mega-exhibitions in Asia
       in the 1990s to the current globalization of biennials"--
       |cProvided by publisher. 
588 0  Print version record and CIP data provided by publisher. 
590    O'Reilly|bO'Reilly Online Learning: Academic/Public 
       Library Edition 
648  7 1900-2099|2fast 
650  0 Art and globalization|xHistory|y20th century. 
650  0 Art and globalization|xHistory|y21st century. 
650  0 Biennials (Art fairs)|xHistory. 
650  6 Art et mondialisation|xHistoire|y20e siècle. 
650  6 Art et mondialisation|xHistoire|y21e siècle. 
650  6 Biennales (Foires d'art)|xHistoire. 
650  7 Art and globalization|2fast 
650  7 Biennials (Art fairs)|2fast 
655  7 History|2fast 
700 1  Gardner, Anthony,|d1976-|eauthor. 
776 08 |iPrint version:|aGreen, Charles, 1953-|tBiennials, 
       triennials, and Documenta.|b1.|dHoboken : John Wiley & 
       Sons Inc., 2016|z9781444336641|w(DLC)  2015038630 
856 40 |uhttps://ezproxy.naperville-lib.org/login?url=https://
       learning.oreilly.com/library/view/~/9781444336641/?ar
       |zAvailable on O'Reilly for Public Libraries 
938    EBSCOhost|bEBSC|n1193814 
938    ProQuest MyiLibrary Digital eBook Collection|bIDEB
       |ncis33158437 
938    YBP Library Services|bYANK|n15318100 
938    YBP Library Services|bYANK|n12873652 
938    YBP Library Services|bYANK|n12888552 
994    92|bJFN