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LEADER 00000ngm a2200361za 4500 
003    CaSfKAN 
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007    vz uzazuu 
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008    150908p20151987cau061        o   vlund d 
028 52 1058864|bKanopy 
035    (OCoLC)921955533 
040    VDU|beng|cVDU 
099    Streaming Video Kanopy 
245 00 Eugene Ionesco: Voices, Silences|h[Kanopy electronic 
       resource] 
264  1 [San Francisco, California, USA] :|bKanopy Streaming,
       |c2015. 
300    1 online resource (streaming video file) 
306    Duration: 61 minutes 
336    two-dimensional moving image|btdi|2rdacontent 
337    computer|2rdamedia 
338    online resource|bcr|2rdacarrier 
500    Title from title frames. 
500    In Process Record. 
518    Originally produced by The Roland Collection in 1987. 
520    As a man of letters, Ionesco is best known for his 
       contributions to the theater, notably La Cantatrice Chauve
       (The Bald Prima Donna), Les Chaises (The Chairs) and Le 
       Roi Se Meurt (Exit the King). When he tires of the clamor 
       of words, Eugene Ionesco starts painting. In a studio in 
       St Gall, Switzerland, he exudes colours and forms as he 
       would words, and he never stops talking, confronting us, 
       laughing at us or himself, expressing the same anxieties 
       and dreams, and interpreting excerpts from his plays. 
       Tragicomic beings appear on the paper: there are false 
       masks and real faces, knights clad in black or sheathed in
       a multicoloured armor; there are the branches of unknown 
       trees, and bursts of grim laughter, and hieroglyphics. 
       Sometimes he accepts a question, shares a confidence, a 
       wink, a smile, then he takes up his brush, leaves time in 
       suspension and traces a line. 'A film of rare quality ... 
       The director succeeds in playing down his own role, the 
       better to bring out the connections between painting and 
       speech, the image and the voice, abstract thought and the 
       irrepressible burgeoning forth of forms.' La Libre 
       Belgique, Brussels 'An extraordinary vivid portrait...' Le
       Soir, Brussels 'A very fine film...' Pourquoi pas?, 
       Brussels '...creativity and old age ... a new creative 
       language aptly documented in this program ... the artist's
       own statements and his reading from plays, essays, and 
       fiction on the nature of art, creativity, and aging are 
       worth listening to. Skillful camera weaving of paintings, 
       the artist at work, and the artist musing on creativity in
       dramatic settings ... imbued with intelligence, wit, and 
       wisdom.' program Rating Guide for Libraries, USA Credits 
       Scenario: Thierry Zeno with: the collaboration of Eugene 
       Ionesco Narrator/Participant: Eugene Ionesco Also 
       available in French 
538    Mode of access: World Wide Web. 
546    In English 
653    K-12 
653    Visual Art 
700 1  Zeno, Thierry,|efilmmaker 
710 2  Kanopy (Firm) 
856 40 |uhttps://naperville.kanopy.com/node/58865|zAvailable on 
       Kanopy 
856 42 |zCover Image|uhttps://www.kanopy.com/node/58865/external-
       image