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008    120809s2013    enka    ob    001 0 eng d 
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020    9781780671499|q(electronic bk.) 
020    1780671490|q(electronic bk.) 
020    9781785392504 
020    1785392506 
020    9781780674933|qElectronic book (EPUB format) 
020    1780674937|qElectronic book (EPUB format) 
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049    INap 
082 04 777.7 
082 04 777.7|223 
099    eBook O’Reilly for Public Libraries 
100 1  Selby, Andrew. 
245 10 Animation /|cAndrew Selby.|h[O'Reilly electronic resource]
260    London :|bLaurence King Pub.,|c2013. 
300    1 online resource (216 pages) :|billustrations (chiefly 
       color) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file 
490 1  Portfolio 
504    Includes bibliographical references and index. 
505 0  Introduction -- The significance of animation -- The 
       defining principles of animation -- The animation pipeline
       -- About this book -- An animation timeline -- 1. 
       Preproduction -- planning and scriptwriting: The animation
       pipeline in preproduction; Scriptwriting; The vocabulary 
       and language of animation; Approaches to scriptwriting; 
       Genre in animation; Script development; Analyzing a 
       script; Conclusion -- 2. Preproduction -- concepts, ideas,
       and research: Concepts and ideas; Research; Conclusion -- 
       3. Preproduction -- development: Storyboarding; The art of
       storyboarding; Style guides; Layouts and scenes; 
       Development drawings; Character design; Conclusion -- 4. 
       Preproduction -- sound: Understanding sound; The 
       importance and use of sound; Stems of sound; The working 
       sound studio; Conclusion -- 5. Production: The animation 
       pipeline in production; Introduction to basic techniques; 
       Cel animation and traditional 2D processes; Stop-motion 
       animation; 3D computer-generated images; Unorthodox 
       animation; Sound in production; Conclusion -- 6. 
       Postproduction: The animation pipeline in postproduction; 
       Preparing the production; Visuals; Sound in 
       postproduction; Release and distribution; Conclusion -- 7.
       Animated futures: Education, knowledge, and understanding;
       Skills for future employment; Skills; Promotion; Gaining 
       experience; Opportunities, applications, and interviews; 
       Representation; Making it! Conclusion -- Glossary -- 
       Further reading -- Resources -- Acknowledgments. 
520 8  Annotation|bFrom scriptwriting through to production, this
       introduction to animation for students surveys key 
       technical processes and examines a variety of stylistic 
       approaches. The book includes visual examples from key 
       animators and illustrated features on how to create 
       exciting animation for a variety of audiences. This book 
       is a vital resource for anyone who intends to make 
       animation a part of their career. 
590    O'Reilly|bO'Reilly Online Learning: Academic/Public 
       Library Edition 
650  0 Animated films. 
650  0 Animation (Cinematography) 
650  6 Animation (Cinéma) 
650  6 Films d'animation. 
650  7 animations (visual works)|2aat 
650  7 animation (process)|2aat 
650  7 Animated films.|2bicssc 
650  7 Animated films|2fast 
650  7 Animation (Cinematography)|2fast 
776 08 |iPrint version:|z1780670974|z9781780670973 
830  0 Portfolio (Laurence King Publishing) 
856 40 |uhttps://ezproxy.naperville-lib.org/login?url=https://
       learning.oreilly.com/library/view/~/9781780670973/?ar
       |zAvailalbe on O'Reilly for Public Libraries 
936    BATCHLOAD 
938    Internet Archive|bINAR|nanimation0000selb 
938    Credo Reference|bCRED|n9781785392504 
938    EBL - Ebook Library|bEBLB|nEBL1876152 
938    ebrary|bEBRY|nebr10751075 
938    EBSCOhost|bEBSC|n910069 
938    YBP Library Services|bYANK|n11090413 
994    92|bJFN