LEADER 00000cjm  2200409Ii 4500 
001    ocn874573716 
003    OCoLC 
005    20141231195003.0 
007    sd fungnnmmned 
008    140324t20132013nyudfnn  z        n eng d 
024 1  028947650843 
028 02 B0020048-02|bDecca 
035    (OCoLC)874573716 
040    UPZ|beng|erda|cUPZ|dOCLCO|dTEF|dUtOrBLW 
049    JFNA 
082 04 784.4/8|223 
092    JAZZ|bRAABE MA|jGOLDEN A  
100 1  Raabe, Max,|eperformer. 
245 10 Golden age|h[sound recording] /|cMax Raabe & Palast 
       Orchester. 
264  1 [Germany] :|bDeutsche Grammophon,|c[2013] 
264  2 New York :|bUniversal Music Classics. 
264  4 |c℗2013 
300    1 audio disc :|bCD, audio digital ;|c4 3/4 in. 
336    performed music|bprm|2rdacontent 
337    audio|bs|2rdamedia 
338    audio disc|bsd|2rdacarrier 
344    digital|2rda 
347    audio file|bCD audio|2rda 
500    Songs and instrumental music. 
500    Compact disc. 
505 00 |tSingin' in the rain|g(3:30) --|tCheek to cheek|g(3:10) -
       -|tJust one of those things|g(2:43) --|tThough you're not 
       the first one|g(3:18) --|tThese foolish things|g(3:05) --
       |tLove thy neighbour|g(2:46) --|tOver my shoulder|g(2:23) 
       --|tWho's afraid of the big bad wolf|g(2:13) --|tAll God's
       children|g(2:19) --|tYoukali|g(2:57) --|tLove song of 
       Tahiti|g(3:05) --|tMoon of Alabama|g(3:10) --|tMein 
       kleiner grüner Kaktus|g(2:12) --|tTout est permis|g(3:27) 
       --|tTomorrow is another day|g(3:42) --|tDream a little 
       dream of me|g(3:03) --|tCosi-cosa|g(2:27) --|gBonus 
       tracks.|tOops! ... I did it again|g(1:03) --|tSex bomb|g(1
       :41) --|tOne cannot kiss alone|g(3:00) --|tFür Frauen ist 
       das kein Problem|g(3:12). 
511 0  Max Raabe, vocals ; accompanied by Palast Orchester. 
520    By the early 1920s, the influence of American jazz was 
       apparent all over Europe. Musicians wore out the latest 
       imported 78s as they picked up the new language, then went
       on to absorb what they had heard into their own ways of 
       playing. That in turn gave birth to new styles that soon 
       attracted audiences back in the US. And when Jewish 
       musicians -- not least Kurt Weill -- began fleeing the 
       Nazis in the 1930s, America was often where they ended up,
       already wise to the requirements of Hollywood and 
       Broadway. In this collection of the band's favorite 
       numbers, many of the songs are American standards, which 
       Max Raabe and his Palast Orchester present in their unique
       1920s/30s German style. Max Raabe & Palast Orchester are 
       famous for keeping the shellac style alive. Here they give
       us an idea of what might have developed without the Nazi 
       suppression of so much German culture. A glimpse, perhaps,
       of a lost "Golden Age". 
650  0 Dance orchestra music|zGermany|vSound recordings. 
710 2  Palast Orchester,|eperformer.