| Description |
1 online resource (streaming video file) |
| Playing Time |
Duration: 48 minutes |
| Note |
Title from title frames. |
|
In Process Record. |
| Event |
Originally produced by Veritas Films in 2010. |
| Summary |
Grandma, A Thousand Times (also titled Teta, Alf Marra) is a poetic documentary that puts a feisty Beiruti grandmother at the center of brave film exercises concocted by her grandson to commemorate her many worlds before they are erased by the passage of time and her eventual death. Teta Kaabour is an 83-year old family matriarch and sharp-witted queen bee of an old Beiruti quarter. She's been gripped as of late by the silence of her once-buzzing household where she raised children and grandchildren. Resigned to Argileh smoking and day-long coffee drinking on a now-empty balcony, Teta now invokes the deepest memories of her violinist husband who died twenty years ago. She claims a preparedness to re-unite with him. Filmmaker Mahmoud Kaabour, Teta's favorite grandson and the bearer of his grandfather's full name, has also been pre-occupied for years with the memory of his grandfather. Prior to his death, the late violinist had audio taped heart-wrenching violin improvisations in the privacy of his room in that same flat. That music, along with the details of his long career playing with the Arab world's most famous divas, remains unpublished. The filmmaker's anguish is compounded at the thought that this personal and cultural heritage, as well as grandma's own stories, rare recipes, and naughty humor, will go with her when she parts this life. “Teta, Alf Marra” brings together grandfather, grandmother, and grandson in a playful magic-realist documentary that aims to defy a past death and a future one. It documents with great intimacy the larger-than-life character of Teta Kaabour, her telling of the trials of her violinist husband and his Beirut, as well as her imaginings of what awaits her beyond death. All while the filmmaker constantly switches roles between the film's silent creator, Teta's grandson in front of the camera, and a re-enactor of his late grandfather. Meanwhile, the deceased violinist circles them with his seven violin improvisations that serve as the impetus of the film and its soundtrack. Awards New York Times Critics Pick Doha Tribeca Film Festival - Winner of Audience Award Best Documentary Doha Tribeca Film Festival - Winner of Jury Special Mention Dox Box International Documentary Film Festival - Winner Audience Award Best Documentary London International Documentary Festival - Winner Best Film Award Fondation Liban Cinema - Trophy in recognition of its contribution to Lebanese Cinema DocsDF Mexico - Winner Jury Special Mention Mumbai Film Festival - Winner Best Film Celebrate Age Taiwan International Documentary Festival - Winner Merit Prize |
| System Details |
Mode of access: World Wide Web. |
| Language |
In Arabic, Subtitles in English |
| Indexed Term |
Asian and Middle Eastern Studies |
|
Music |
|
Religion and Philosophy |
| Added Author |
Kaabour, Mahmoud, filmmaker
|
|
Kanopy (Firm)
|
| Music No. |
1121222 Kanopy |
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