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LEADER 00000cam a2200793 i 4500
001 896852432
003 OCoLC
005 20240129213017.0
006 m o d
007 cr cnu---unuuu
008 141114t20122012enkao ob 001 0 eng d
019 871505856|a897645562|a900292122|a957735860|a958082151
020 9781780676432|q(electronic bk.)
020 1780676433|q(electronic bk.)
020 1780672926
020 9781780672922
020 9781780676449
020 1780676441
029 1 AU@|b000054147150
029 1 DEBBG|bBV042490638
029 1 DEBBG|bBV043036711
029 1 DEBSZ|b424587963
029 1 DEBSZ|b434838179
029 1 GBVCP|b817090738
029 1 GBVCP|b882843869
035 (OCoLC)896852432|z(OCoLC)871505856|z(OCoLC)897645562
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037 CL0500000527|bSafari Books Online
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|dCOO|dDEBBG|dEBLCP|dOCLCF|dAGLDB|dLND|dOCLCQ|dJBG|dOCLCQ
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049 INap
082 04 741.6023
082 04 741.6023|223
099 eBook O'Reilly for Public Libraries
100 1 Taylor, Fig,|eauthor.
245 10 How to create a portfolio & get hired :|ba guide for
graphic designers and illustrators /|cFig Taylor ; Zoe
Antoniou, senior editor ; Tessa Clark, copy editor.
|h[O'Reilly electronic resource]
250 Second edition.
264 1 London, England :|bLaurence King Publishing,|c2012.
264 4 |c©2012
300 1 online resource (160 pages) :|bcolor illustrations,
photographs
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
504 Includes bibliographical references and index.
505 0 Introduction; 1. What is a Portfolio?; The Student
Portfolio; The Professional Portfolio; The Graphic Design
Portfolio; The Illustration Portfolio; The Cross-
disciplinary Portfolio; Summary; 2. Making Sense of the
Marketplace; Design Groups; Branding; Design for digital
media; Multidisciplinary design; Design internships;
Illustration commissions; Advertising Agencies; Routes
into advertising design; Routes into advertising
illustration; Opportunities for cross-disciplinary
practitioners; The Editorial Sector; Openings for
designers; Illustration commissions; Book Publishing.
505 8 Starting as a book designerChildren's books; Educational
publishing; Adult fiction; Adult non-fiction; Comics and
Graphic Novels; The independent route; The commercial
route; Television and Film; Opportunities for designers;
Opportunities for illustrators; Computer Games
Development; Illustration skills; GreetingsCards; In-house
design positions; Illustrating greetings cards; Finding
the right publisher; Creating a portfolio; Setting up as a
publisher; Summary; 3. Research and Cold-calling; Why
Research Is Important; Targeting Your Research; Jobs in
the design world.
505 8 Illustration commissionersResearch Resources; Professional
journals; Annuals and sourcebooks; Yearbooks, mailing
lists and industry directories; Libraries; Industry-
related websites, portals and blogs; Cold-calling;
Speculative Applications; Student Exhibitions and
Competitions; Summary; 4. Creating a Good Portfolio; Basic
Approaches; Learn to be Objective; The Contents; Are all
the pieces up to my highest standards?; Is self-indulgent
work taking up prime portfolio space?; What new samples
should I add to my portfolio?; Should new samples be put
in context?
505 8 How many samples should I include?How do I show published
work?; Should I include my sketchbooks?; How Many
Portfolios?; Summary; 5. Choosing the Right Portfolio; The
Digital Portfolio; What can go wrong?; How to get it
right; Remote presentations; Presenting your portfolio on
a tablet; Preparing your work for digital presentation;
The Print Portfolio; Size matters; What kind of
portfolio?; Leaves and laminates; How to display your
work; Photographs of samples; Summary; 6. Making Yourself
Kown in the Marketplace; Networking Pays Off; Pitching for
a Presentation; Promotional Material.
505 8 Digital MediaCase study: Sophie Blackall; Case study:
Linzie Hunter; Presentation Pointers; Be prepared;
Presenting Your Portfolio; Post-presentation Reminders;
Websites; Case study: Bowie Style; Sourcebook advertising;
Follow-up visits; Summary; Resources; Professional Bodies
and Membership Organizations; Information and Advice;
Portfolio Manufacturers and Suppliers; Useful Design
Websites; Useful Illustration Websites; Useful
Publications; Annuals and Competitions; Subject-specific
Links; Index; Picture Credits.
520 This book shows those embarking on an illustration or
graphic design career how best to put together an
effective, professional portfolio. It discusses what to
include and how to organize and display the work, and also
advises on presentation techniques and self-promotion.
Both print and digital portfolios are covered. Deciding
who to approach for work is of key importance whether you
are looking for a full-time position or freelance work,
and the book maps out the creative marketplace, examining
the main areas of work and describing the types of
position available in each, and how the commiss.
588 0 Online resource; title from PDF title page (ebrary, viewed
November 15, 2014).
588 0 Print version record.
590 O'Reilly|bO'Reilly Online Learning: Academic/Public
Library Edition
650 0 Art portfolios.
650 0 Employment portfolios.
650 6 Portfolios.
650 6 Portefeuilles de compétences.
650 7 portfolios (groups of works)|2aat
650 7 Art portfolios|2fast
650 7 Employment portfolios|2fast
700 1 Antoniou, Zoe,|eeditor.
700 1 Clark, Tessa,|eeditor.
776 08 |iPrint version:|aTaylor, Fig.|tHow to create a portfolio
& get hired.|bSecond edition
856 40 |uhttps://ezproxy.naperville-lib.org/login?url=https://
learning.oreilly.com/library/view/~/9781780676449/?ar
|zAvailable on O'Reilly for Public Libraries
938 EBL - Ebook Library|bEBLB|nEBL1876164
938 ebrary|bEBRY|nebr10962754
938 EBSCOhost|bEBSC|n926180
938 YBP Library Services|bYANK|n17906862
938 YBP Library Services|bYANK|n12154924
994 92|bJFN