| Description |
1 online resource (xiii, 333 pages) : color illustrations |
| Bibliography |
Includes bibliographical references (page 327) and index. |
| Contents |
Learning to see -- Light and perception -- Lines, shapes, and textures -- Color -- Framing -- Light -- Visual storytelling -- Putting it all together : classic good images and visual intensity -- Creating images in the field -- Improving visual intensity with digital manipulation -- Going beyond with creative digital techniques. |
| Summary |
A good image is more than just acceptable exposure and sharp focus -- two components that photography instruction concentrates on. A fascinating subject doesn't necessarily result in a good image, and likewise, it's possible to create an outstanding image of a mundane subject. So how do you know the difference? Perhaps you've read a lot of material on how to use your camera, how to manage images, and/or how to make adjustments using different software programs. What usually is not covered is what needs to be done beyond obvious exposure, noise, and sharpening issues so that you can intuitiv. |
| Subject |
Composition (Photography)
|
|
Composition (Photographie) |
|
Composition (Photography) |
| Added Author |
Anon, Ellen.
|
| Other Form: |
Print version: Anon, Josh. See it. Burlington, MA : Focal Press, ©2013 9780240821504 (OCoLC)800640739 |
| ISBN |
9781136109027 (electronic bk.) |
|
1136109021 (electronic bk.) |
|
9780240823638 |
|
024082363X |
|
9781136108976 (e-book ; Mobi) |
|
1136108971 |
|
9781136109010 (e-book ; ePub) |
|
1136109013 |
|
9781138472365 (hardback) |
|
1138472360 |
|
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